I knew by the title of this book it was going to be great. It happens to be the title of one of my favorite movies :) The premise of Fools Rush In is a fun one and I really enjoyed Janice Thompson’s writing style she really knows how to make you laugh. She is witty  you cannot help but love the characters of Bella and D.J.! Bella’s family also makes this book charming. I love when cultures clash and boy do they clash in Fools Rush In which leads to many hilarious moments in one of the funniest books I have read this year!    DJ is by far one of the most entertaining and charming male characters I have met.  And I felt an immediate kinship to Bella…. she was a normal girl stumbling and learning along the way.  Fools Rush In is more than a romantic comedy but also a book of journeying….toward God and who He has made you to be.

I cannot wait for more Bella adventures :)

9780800733421Bella Rossi may be nearing thirty, but her life is just starting to get interesting. When her Italian-turned-Texan parents hand over the family wedding planning business, Bella is determined not to let them down. She quickly books a “Boot Scoot’n” wedding that would make any Texan proud. There’s only one catch–she’s a country music numbskull because her family only listens to Frank Sinatra and Dean Martin. Where will she find a DJ on such short notice who knows his Alan Jackson from his Keith Urban? When a misunderstanding leads her to the DJ (and man) of her dreams, things start falling into place. But with a family like hers, nothing is guaranteed. Can the perfect Texan wedding survive a pizza-making uncle with mob ties, an aunt who is a lawsuit waiting to happen, and a massive delivery of 80 cowboy boots? And will Bella ever get to plan her own wedding?

**Book sent to me by Revell.

This book is absolute gorgeous. The photos, the words….it is a unique gift idea for that person in your life that loves hymns and beautiful books :) I throughly enjoyed looking at the photos and reading the interesting blurbs.

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

and the book:

Abide With Me (Includes a CD of 20 wonderful, favorite British hymns.)

New Leaf Publishing Group/New Leaf Press; Har/Com edition (May 1, 2009)

ABOUT THE AUTHOR:

John Parker, Professor of English at Lipscomb University in Nashville, Tennessee, has taught Shakespeare and other literary classes there for twenty-eight years. He holds the M.A. and Ph.D. in English from the University of Tennessee, and also the Master of Arts in Religion from Harding Graduate School of Religion in Memphis. At Lipscomb and previously at Freed-Hardeman University in Henderson, Tennessee, he has also taught classes in the Bible.

Paul Seawright is currently Chair of Photography at the University of Ulster. Previously he was Dean of Art Media and Design at the University of Wales, Newport, and the Director of the Centre for Photographic Research. His photographs have been exhibited worldwide and are held in many museum collections including The Tate London, San Francisco Museum of Modern Art, the Art Institute of Chicago, International Centre of Photography New York, Portland Art Museum, the Art Gallery of Ontario and the Irish Museum of Modern Art.

Paul has a Ph.D. in Photography from the University of Wales and was awarded a personal chair in 2002. He is an honorary Fellow of the Royal Photographic Society, currently chairing their Fellowship panel. He is also a fellow of the Royal Society of the Arts. He has published six books.

Visit the authors’ website.

Product Details:

List Price: $19.99
Hardcover: 112 pages
Publisher: New Leaf Publishing Group/New Leaf Press; Har/Com edition (May 1, 2009)
Language: English
ISBN-10: 0892216905
ISBN-13: 978-0892216901

AND NOW…THE FIRST CHAPTER:

Abide With Me
A Photographic Journey Through Great British Hymns

Text by John H. Parker

Photography by Paul Seawright

Prologue

The focus of Abide with Me is place—the places in England and Wales where the great Britishhymns were written and where the stories of the men and women who wrote them unfolded: Olney (“Amazing Grace”), Brighton (“Just As I Am”), Stoke Newington (“When I Survey the Wondrous Cross”), Broadhembury (“Rock of Ages”), and many others. This book shows and tells about those places and what you would see if you visited them.

On the north coast of England, silhouetted against the gray sky and the dark sea, stand the ruins of Whitby Abbey. There in the sixth century a common sheep herder named Caedmon wrote the earliest surviving hymn written in English. In the centuries following—Middle Ages, Renaissance, Eighteenth Century, Nineteenth Century—men

and women devoted to Christ and blessed with the gift of poetry composed the words of the English hymns sung in Britain, in America, and across the globe, generation after generation—sung in times of happiness, grief, joy, fear, and wonder. Here are the places those writers lived and their life stories.

Join us now for a stroll through the quaint Cotswolds, the beautiful Lake District, bustling

London, and the glorious poppy-bedecked English countryside as you meet the great minds whose works have inspired, uplifted, and carried us through the tragedies and triumphs of our lives. It’s a journey of the heart and soul—a meandering through your own spirituality.

Speaking to one another in psalms

and hymns and spiritual songs.

Ephesians 5:19

Lost & Found

Olney, on the Ouse River in Northampton, England, not far from Cambridge, was a small farming and crafts village in the late eighteenth century. As we drive into the market square this Sunday afternoon, we find a bustling and cheerful town with two popular claims. One is the annual pancake race on Shrove Tuesday when housewives run 415 yards from the marketplace to the Church of St. Peter and St. Paul, each carrying a pan holding a pancake, which she flips on crossing the finish line. The other is the curate and preacher for that church from 1764–1780, John Newton (1725–1807), and the vicarage, where he wrote perhaps the most popular hymn of all time, “Amazing Grace.”

The church was expanded during those years to accommodate the crowds who came to hear John, and its square tower still rises over the Ouse River. The sanctuary is large and impressive, and a stained-glass window commemorates the preacher and his hymn. Still, time has encroached a bit. His pulpit is now somewhat pushed back into a corner, though John Newton’s Pulpit is proudly displayed along one edge. John’s rather smallish portrait hangs on the stone buttress of one wall, sharing space between a fire extinguisher and a bulletin board where his name promotes a ministry in Sierra Leone. But after 230 years, it’s still John Newton whose story and hymn live on here.

John was born to a master mariner, who was often away at sea, and a mother who taught him Bible lessons and the hymns of Isaac Watts (see pages 38-41). But she died

when he was only six years old. At age eleven, after a few years of living with relatives or attending boarding school, he began sailing with his father.

In time John fell in love with Mary Catlett, daughter of friends of his mother, but in 1744 he was forced to serve on a naval ship. He records that while watching England’s coast fade as the ship sailed away, he would have killed either himself or the captain except for his love of Mary.

Later John managed to join the crew of a slave trade ship, the brutal traffic he so much regretted in later years. This life blotted out his early religious training and led him into bad behavior. Finally, though, when a fierce March storm one night in 1748 threatened to sink his ship, he prayed for the first time in years. And for the rest of his life he regarded every March 21 as the anniversary of his conversion. Relapses occurred, but after a serious illness he committed himself to God, returned to England, and married

Mary in 1750.

John worked for a while in civil service in the region of Yorkshire. But soon he became popular as a lay preacher, developing friendships with George Whitefield and John

Wesley, and began to consider the ministry. Although he studied biblical languages and theology privately, he received ordination in the Church of England only after completing

his autobiography, Authentic Narrative, in 1764, an account that caused influential religious leaders to recognize his spiritual commitment. The book was soon translated into several languages.

John’s principal sponsor for priesthood, Lord William Dartmouth, helped arrange the station for John in Olney, and for the next sixteen years he lived in the vicarage and

preached at St. Peter’s and St. Paul’s and in surrounding parishes. His religious devotion, remarkable personal history, and natural poetic skills gave John the gifts and preparation for writing hymns—especially one great hymn—but he needed a circumstance to prompt him. That came in 1767 when William Cowper moved to Olney.

William was one of England’s fine eighteenth-century poets, producing The Task (1784) and translations of Homer. He received an excellent literary education at Westminster

School in London and, at his father’s wish, studied for the bar. But he lived an often-miserable life. Depression, his distaste for the law, poverty, and an ill-fated romance with his cousin Theadora Cowper ruined any chances of happiness. More than once he attempted suicide.

During this trauma William found relief in the home of friends first made in Huntingdon—Morley and Mary Unwin, a religious and wealthy couple. When Morley died from a fall from his horse in April of 1767, Mary moved to Olney with her daughter Susanna to be near the renowned preacher John Newton. In fact, only an orchard stood between the rear yard of their house, Orchard Side, and John’s vicarage. Soon, William also came to Olney and moved in with them. The two poets became close friends, and by 1771 they were collaborating on what became one of England’s most successful hymnals, The Olney Hymns.

On a bright June afternoon we stroll with Elizabeth Knight in the garden of Orchard Side, now the Cowper & Newton museum, where she has been curator for more than thirty years. Nestled in the rows of flowers is an odd little summerhouse in which William gazed through its side and rear windows. Here he wrote most of the hymns in his part of the collection. After another lapse into depression, he wrote few others, but by that time he had composed his great hymns, “There is a Fountain” and “God Moves in a Mysterious Way.”

Leaving the Orchard Side garden, we walk through the site of the original orchard, to the back of the two-story brick vicarage, and look up to the last dormer window on the top right. Here, in this room, during the last two weeks of December 1772, John Newton wrote “Amazing Grace.”

In his book Amazing Grace: The Story of America’s Most Beloved Hymn (Harper Collins, 2002), music historian Steve Turner records that John routinely wrote hymns to accompany his sermons and composed “Amazing Grace” in preparation for a New Year’s Day sermon on January 1, 1773. He also observes that the words of the hymn evidently paraphrase entries from John’s notebook. For example, the entry “Millions of unseen dangers” is rendered “through many dangers, toils, and snares” in the song. Turner gives these illustrations of Newton’s use of the Scriptures in the hymn:

Newton embroidered biblical phrases

and allusions into all his writing.

The image of being lost and found alludes to the parable

of the prodigal son, where the father

is quoted as saying in Luke 15:24,

“For this my son was dead, and is alive again;

he was lost, and is found.”

His confession of wretchedness may have been drawn

from Paul’s exclamation in Rom. 7:24,

“O wretched man that I am!

Who shall deliver me from the body of this death?”

The contrast of blindness and sight refers directly

to John 9:25, when a man healed by Jesus says,

“One thing I know, that, whereas I was blind,

now I see.”

Newton had used this phrase in his diary

during his seafaring days when he wrote on

August 9, 1752,

“The reason [for God’s mercy] is unknown to

me, but one thing I know, that whereas

I was blind, now I see.”

Turner observes that this day of the introduction of “Amazing Grace,” in Lord Dartmouth’s Great House in Olney, was also the last that the despondent William Cowper came to church.

John and William published The Olney Hymns in 1779. The following year, 1880, William Cowper died, and John accepted a pulpit position at St. Mary Woolnoth Church in London. Audiences continued large here as well. Visitors today can pass through a wrought-iron gate and coffee shop at the entrance, walk through the church doors into the sanctuary, and view the ornate pulpit where the slave-trader turned preacher delivered sermons for the next twenty-seven years, becoming a major figure in the

evangelical portion of the Anglican Church. He died on December 21, 1807, and was buried with Mary at St. Mary Woolchurch in London. They were re-interred at the Church

of St. Peter and St. Paul in Olney in 1893. And he is primarily remembered for these touching words:

Amazing Grace (1772)

Ephesians 2:8-9

Amazing grace! How sweet the sound

That saved a wretch like me!

I once was lost, but now am found;

Was blind, but now I see.

’Twas grace that taught my heart to fear,

And grace my fears relieved;

How precious did that grace appear

The hour I first believed!

The Lord has promised good to me,

His Word my hope secures;

He will my Shield and Portion be,

As long as life endures.

The earth shall soon dissolve like snow,

The sun forbear to shine;

But God, who called me here below,

Will be forever mine.

Fear corrodes our confidence in God’s goodness.  –Max Lucado

I don’t think there has been a better time for this book.  With the economy as it is, and with terror in our lives, and our future unknown this book addresses what so many of us are feeling.  Fear.  Fear for today.  Fear for the future.  I have long been a fan of Max Lucado.  His writings are encouraging yet challenging.  I especially love his use of stories to get his point across.  Fearless is no exception.  It reads so simply yet you come away with a profound learning of what God wanted to teach you through the book.

Max Lucado covers many aspects of fear in this book, fear of not mattering, fear of disappointing God, fear of violence, fear of the end of our lives… and so many other topics relating to being afraid.    Using descriptive words and scenarios you begin to visualize what fear looks like in your life….and Mr. Lucado gives you the wisdom of the Word with the beautifulness of the fact that God loves you.  He is there amidst all the fear He knows you and cares for you anyway.

Perhaps my favorite chapter was Fear of Letting God out of His Box.  Going into this chapter I quitely reassured myself that this was not my problem, I mean I know how big our God is and well surely I have not put Him in a box…but I have, I did.

The book, Fearless, was just what I needed at this time.  I had so many things going on in my life and I was constantly worried and afraid of one outcome or the other.  As I read the book and also journaled through the discussion questions I realized how much I had let fear rule my life.  No more.  Our God is not a God of fear.  And I let Him out of the box I had put Him in :)

If you are a worrier or you have let fear seize one area of your life then take time to get this book and read it and let God work on your fearful heart.  You won’t regret it.

Buy Fearless.

Visit The Fearless Times.









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Several months ago I had the pleasure of having lunch with two of my favorite authors and several other bloggers. Of course we talked a lot about books! And we spent a great deal of time discussing the lovely Mary Connealy. I had never read one of her books but found myself wanting desperately to read one after all of the glowing praise she recieved! I was lucky enough to win a copy of Montana Rose from the Seekerville blog!    I absolutely LOVED the book! It is such a sweet romance.  And I was told that Mary was a hoot and oh my goodness…she is so funny.  Her characters are likable and you find yourself caught up in the story and before you know it….the book has ended :(  Thank goodness I can go back and read her Lassoed in Texas series and her new book, Cowboy Christmas, as book two in the Montana Marriages series does not come out until January.  The wonderful Mary Connealy has definitely gained another loving fan because I will be reading everything she writes :)

About the book:

montana-rose-250Left pregnant and widowed in the unforgiving west, Cassie is forced into an unwanted marriage to rancher Red Dawson.

No decent man could turn away from Cassie and leave her to the rough men in Divide, Montana. Red Dawson can’t turn his back on the spoiled, snooty, beautiful woman. Now he’s got himself a wife he’s sure God never intended. And when he informs her there’ll be no more silk dresses and she has to do some work around the ranch he’s surprised she immediately tries to help with everything. Too bad she’s a walking disaster. His ranch may not survive her efforts to pitch in.

Now, instead of a spoiled wife he’s got himself an overly obedient and badly incompetent one, and poor Red is so charmed by her he can’t bear to scold. He’s not much for bossing people around, anyway.

While Red tries to survive Cassie’s help and Cassie tries to use her own mind instead of meekly obeying for the first time in her life, an obsessed man plots to make Cassie his own, something he can’t do as long as Red lives.

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

and the book:

Make Love, Make War: NOW Is the Time to Worship

David C. Cook; New edition (August 1, 2009)

ABOUT THE AUTHOR:


Brian Doerksen has always had a passion for expressing worship through music. He is an award-winning songwriter of some of today’s most acclaimed songs of worship. He is currently developing a musical of hope based on Luke 15 called “Return.” Brian, his wife, Joyce, and their six children reside in Abbotsford, British Columbia, Canada.

Visit the author’s website.

Product Details:

List Price: $14.99
Paperback: 224 pages
Publisher: David C. Cook; New edition (August 1, 2009)
Language: English
ISBN-10: 1434766829
ISBN-13: 978-1434766823

AND NOW…THE FIRST CHAPTER:

Come, now is the time to worship

Come, now is the time to worship

Come, now is the time to give your heart

Come, just as you are to worship

Come, just as you are before your God

Come

One day every tongue will confess

You are God

One day every knee will bow

Still the greatest treasure remains for those

Who gladly choose You now

Willingly we choose to surrender our lives

Willingly our knees will bow

With all our heart, soul, mind and strength

We gladly choose you now

Brian Doerksen

©1998 Vineyard Songs (UK & Eire)

From the moment I “heard” the beginning of this song floating through the air early on that September morning in London, England, I knew something special was happening. 2

In the mid 1990’s I had become somewhat disillusioned with worship music and the ministry connected with it. I grew tired of the striving, weary of artists jumping on the worship “bandwagon” just because worship music projects were selling more units. There was also my own shallowness and my comparing myself with some of those artists. Looking back I can see that I was passing through a patch of wilderness; God desired to break me in different ways, so He could use me in new ways.

For the previous 5 years, I had experienced some successes with songs and recording projects (all of which were a surprise), and some failures too (not a huge surprise but still discouraging!) I had also spent a good portion of those years pursuing a dream to communicate the “Father-heart” of God through music and story in a musical called “ Father’s House.” The project collapsed for several reasons at the end of 1996. In the process I reached a low point; a point where I was not even sure I believed in God anymore . . . or maybe that I believed in God, but it was more like He wound up the universe, and for the most part abandoned us to sort ourselves out. Rather than finding a figurative corner to “suck my thumb” and feel sorry for myself after the musical collapsed, I decided to try and find a place in the church where I could serve someone else’s vision for a few seasons, rather than try and keep my own visions alive. And so God, in His great compassion for my family and my wife Joyce, moved us to England. (It was there that God restored our soul and gave us some wonderful life-long friends!)

I was given two jobs upon arrival. The first was to be the worship pastor at the Southwest London Vineyard under the leadership of John & Eleanor Mumford. The second one was to train the songwriters and worship leaders in the Vineyard movement throughout England, Scotland and Ireland. There were about 75 Vineyard churches in the UK and Ireland at that time.

It was challenging to do a good job leading worship when so much of my heart was still ravaged by confusion and disappointment. But I had served long enough in the church to know how to effectively gather people up in the presence of God through intimate worship, and so I just got on with it, believing that eventually my feelings and the restoration of my heart would follow. I do remember a few times, gulping rather deeply before I would get up to lead worship, wondering if God might strike me down for leading in public, when privately I was having doubts about His very existence; or at the least, doubts about his goodness and whether He was actively intervening on behalf of His children. Yet where else could I turn? I knew enough about the other major philosophies and religions to know that nothing else really made sense of life and death, nor satisfied my heart and awakened my spirit.

Most mornings I would get up before the kids to go for a brisk walk. It was some light daily exercise and a chance to clear my mind before the day began. And it was also time to pray, to sing and to speak out scriptures. It was on one of these walks that I heard it. The idea floated through the air, and in that moment my life changed again. I tuned into what felt like the “frequency of worship”; that realm where God is completely real, and I immediately sensed the presence of God in a way that I had not for some time. I intuitively knew I was tuning into God’s invitation that is going out “day after day” as it says in Psalm 19:

“The heavens declare the glory of God; the skies proclaim the work of his hands. Day after day they pour forth speech; night after night they display knowledge. There is no speech or language where their voice is not heard. Their voice goes out into all the earth, their words to the ends of the world.” Psalm 19 1- 4 NIV

The call to worship is unending. Its sound reverberates in every language and culture . . . and I was just hearing a little part of it in English in England’s capital city on that September morning. It is so amazing how big a little fragment of “God inspiration” can be!

Once the idea came, I just kept singing it over and over again so I wouldn’t lose it. (I have heard stories of songwriters who get a brilliant idea but they lose it because they don’t sing it enough to imprint it, or write it down or record it some way.) When I got home, I raced upstairs to the top loft of the house where the piano was and I started playing the idea over and over. I took a mental picture of playing the melody on the piano. I jotted down some notes on a piece of paper including other phrases that popped into my head. I only had a few minutes, because my favorite daily job of walking my kids to school was upon me, and so I managed to document the basic idea of the first section of the song before I left. I don’t remember the details of that morning walk with the kids. I am known to drive them crazy by singing silly songs . . . whatever I see sparks something and I love driving them crazy and embarrassing them by being silly. It’s part of the Dad job description. However, I expect that morning there were no silly songs, just the repetition of this God-breathed melody.

Over the rest of the week, I continued to sing the song . . . morning, afternoon and evening. When you are in the middle of writing a song, it feels more like birthing, and it invades every waking thought.

If you would have told me that this song would travel the globe, get translated into numerous languages and be recorded by dozens of artists I would have chuckled in disbelief . . . but just maybe I also would have said, “Yes, that’s going to happen.” I sensed something special was being designed and built and God, by His grace, was letting me in on the ground floor.

About a week later I felt like the song was basically finished; that’s pretty quick for me as sometimes I take months with songs as they go through multiple drafts. The next Sunday I tried the song out at our home church: the SW London Vineyard.3

The song connected right away. In fact, it seemed to me only a few weeks later that I started hearing that the song was already being used in South Africa. Part of what happened is that people passing through London would visit our church if they were interested in or connected to the Vineyard movement, and they would sometimes take songs with them as they headed home to other places. I remember being amazed to hear that the song had already traveled to the other side of the world. I had heard stories of other songs that had done that; but to have it happen to a song that I had written seemed crazy!

But even crazier is this: I wrote this song at one of the lowest points of my life; the point where I had failed in a big way with a project publicly, the point when privately doubts raged about this whole “Christian ministry” and serving God thing. But that explains some of the lyric choices I made.

I think if someone else had received the same melodic idea and opening line, the song would have likely been something like this:

Come, now is the time to worship

Come now is the time to give Him praise

Come, bring Him your best and worship

Come, give Him your all in glorious praise

Come

The focus may have been more on the good that we could do for God. But I was feeling broken. I needed to know that I could come and worship God just the way I was; that He would receive me even though my life was not all together. I needed to know that worship was more a matter of the heart than of our accomplishments. And so I wrote lines like “give your heart” and “just as you are before your God” because those were the things that I needed to re-affirm. I needed to know that those lines were true. That’s what you are constantly doing as a songwriter; stepping back from what you have written and asking yourself, “Are these lines true?” “Do I need to say that in this season to God?”

Would you like to know a songwriter secret?

We basically write the songs that we need to sing. God by His mercy sometimes enables them to become songs for other people too, but we are writing the things that we really need to say to stay sane and alive! And I think that’s a good thing. That’s why I challenge worship songwriters to stop trying to write songs that the church around the world will sing, and try and write a song that they have the courage to sing in their private time with God.

So I wrote the first section of the song as an urgent invitation from God. The key words were

“Come”; “Now”; “Time”; “Heart”; & “Just as you are.” The 2nd section of the song declares the

contrast between the “one day” that is coming and this amazing treasure we receive when we choose to worship God: the treasure of relationship with God.

Think about it this way. Worship is reality.

Being aware of God, focused on Him and in relationship with Him is ultimate reality. Worship brings that reality into focus. One day, reality will be forced on everyone. Everyone will have to accept the certainty and truth that God exists and that He is their Creator and Judge. The tragedy is that He also longed to be their Savior, their Father, and Bridegroom.

I have received a few letters over the years from people who have accused me of being a

Universalist. This included one man who really hoped I was and thought He found evidence in this song! A couple of other worship leaders said they wouldn’t use the song unless they could change the words. The line they were wrestling with was “still the greatest treasure remains for those who gladly choose you now.” Some believed that because I said “greatest treasure” that there was a lesser treasure awaiting everyone else, hence “Brian Doerksen; the closet universalist”.4

The greatest treasure I am referring to is the “treasure and pleasure of worship; a living, loving relationship with God.” I had no intention of inferring that others who reject God will get a treasure of eternal life as well. After a few years of answering this question I am beginning to see how someone could stretch my words to head in that direction; it just never entered my mind, nor the minds of the theologians that I tested the song lyrics with before it was published.

This is one of the challenges of writing for worship; we want to be theologically accurate, but we only have a few phrases to express an idea. Preachers and authors can take one concept and talk or write about it for quite awhile! Songwriters take a large amount of material and reduce it to a few phrases that one can remember, forming it into poetic and artistic phrases that sing. If we wanted to fully explain each concept with 15 verses, the song wouldn’t make it very far.5

What I was trying to say was that one day everyone will be forced to “worship” God with their bodies by bowing their knee, but some are missing this greatest treasure, the experience of worshipping God willingly in the here and now, knowing and loving God and being loved by Him. Instead of living for God, some spend their days seeking earthly treasure, treasure that will be revealed on that “one day” as worthless. God remains the only treasure that will always be worthy of our pursuit and devotion!

It seems that the “theological concerns” I received were really about who is going to get into heaven? And how exactly is that all going to work? I’m not sure any of us can presume to know those answers.

I can tell you this. Having special needs sons who cannot communicate verbally has tested me on

this point because they can’t pray the traditional sinner’s prayer. What if the deeper, heart-question that God longs for us to ask is: How can I get more heaven into me? and how can we get more heaven into us as the community of God? God alone will be the judge of who enters his presence. And He will be more HOLY than we could ever imagine . . . and more merciful!! So I’m leaving those matters in His hands. He knows our hearts. He will not force us to choose Him. He invites us to choose Him and our response to his invitation to “Come” makes all the difference in this life and the next!

Several months after I wrote the song, we started planning the first of 2 recordings I would produce while living in England in the late 90’s. The first one became known as “Winds of Worship – Live from London” with an alternate title of “Come now is the time” and the 2nd one turned out to be “Hungry” which went on to sell over 400,000 copies. The first recording took place on the 22nd of February 1998. It was a Sunday evening and we were in the Eliot high school auditorium, jampacked with people. It was as if people sensed something special was about to happen. Eleanor Mumford spoke before we started the first song about the treasure of worship and encouraged us to worship by singing to the Lord a new song with our whole heart! 6

As we started the song, I sensed God whispering to me, “This is one of the main reasons I brought you across the Atlantic – to encourage and awaken the call to worship in England and Europe in this season.” And it was as if the entire evening was bathed in the presence of God and charged with an energy and urgency that came from God stirring our hearts. I continued to sense that energy and urgency through the long days of postproduction, and we needed plenty of energy as we only had one week to mix the project, so some days at the studio started at 9 AM and didn’t end until 4 AM.

That sense of urgency was there because of the urgency to worship. Now is the time means just that. Now is the time to choose God, to choose to love and follow him. We don’t know how much time we have left, but we do have today. We have this moment to respond to God’s invitation.

This urgency speaks of re-ordering our priorities. It’s time to return to this truth.

Worship is first. . . .

always has been

always will be.

It’s the way we were made; it’s what we were created for!

Worship is the highest privilege and pleasure in the Kingdom of God. It is the response of our lives to the greatest commandment in Scripture: “Love the Lord your God with all your heart, with all your mind, with all your soul, and with all your strength.” Mark 12:30

I wrote this song in London, one of the great cities of the earth. But it’s filled with people who are passionately serving other gods. These days, the most common god is the narcissistic trinity of “me, myself and I.” A world of people faithful only to themselves, yet made in the image of God, created to worship YHWH. Some activists have declared this to be the generation when we can end extreme poverty with our technology and wealth. What a fantastic goal! There is only one challenge. When you have a world of people who are self-absorbed, serving and worshipping themselves and protecting their own rights at any costs, how can we see poverty ended? The only way to see poverty destroyed is to destroy the idolatry that is its root cause.

That’s one of the main reasons why there is such urgency to the call to worship that God is sounding. So much hangs in the balance. Those of us who have been called by God to sound this call often come under intense warfare and attack. That’s one of the reasons why having a “prayer shield” is so vital. Pam Dyck, who leads my team of intercessors shared this with me recently. “Satan hates what we do when we worship God. For when we embrace the calling to be “lead worshippers’, we are doing what Satan abandoned.” Many theologians believe that there is evidence in scripture that satan was a beautiful angel specifically created to direct the worship around the throne to God, until He desired the worship for himself. Of course, we won’t know in this life exactly what happened eons ago when Lucifer fell, but we do know that satan longs to be worshipped; behind every false religion and bondage is the “father of lies” craving what only belongs to God.

And so our calling is to clearly and urgently sound the call to worship God. And what is the core of that calling? Nothing less than our hearts! It’s loving God with all of who we are!

And if worship is first and foremost of the heart, it’s not about where we worship or what we look like when we worship. It’s not a performance for God. It’s a surrender of love to God, just the way we are.

It’s time to worship.

The word “time” reminds us that we are in the season of worship that God is releasing on the earth. Some people believe that the modern worship music movement “discovered” worship in the last few decades. I think that’s proud and ridiculous! I believe that Jesus inaugurated these days when He arrived a short 2,000 years ago, and even Jesus the “son of man” was building upon the worship of the millennium before him including the Davidic house of worship.

Listen to Jesus’ words recorded in John 4.

“A time is coming and has now come when the true worshippers will worship the Father in spirit and truth, for they are the kind of worshippers the Father seeks. God is Spirit, and his worshippers must worship in spirit and truth.” John 4: 23,24 NIV

The implications of what Jesus is saying here are HUGE!!! We are changing seasons, and I am bringing clear revelation of the truth, so that each of us can become the kind of worshipper the Father is seeking.

A time is coming and has now come . . . . we are in that time now. A time when we are called to worship. What does it really mean to worship? Does it only mean getting together on Sundays and singing a few songs and clapping our hands? And why did Jesus speak some of his most direct and instructive words on worship to an outcast woman? Wasn’t that incredibly un-strategic of Jesus? Shouldn’t this conversation have happened in the temple with the high priest, with someone who could teach and influence the nation?

I believe one of the many reasons Jesus did this is that He wanted us to see the contrast between the truth and faithfulness of who He was, and the faithlessness and brokenness of our lives filled with fatherless worship. The shame of the woman at the well was the result of men’s utter faithlessness. We don’t know, but for a woman to become like this woman, it’s very likely that her father abandoned her, likely through neglect or more optimistically through death. Otherwise, if she had known the love of a good father, why would have she sought out the love of so many unfaithful men? Do women with good fathers throw themselves into the arms of scoundrels? Well yes, we can all probably think of a couple of examples, but they are the exception.

Here is Jesus, speaking to a woman who is miraculously still seeking truth, though there is evidence that she is starting to abandon hope, for “the one you have now is not even your husband.”

And so Jesus offers this woman two things. One is living water. She had been drinking from the polluted wells of unfaithfulness which always made her thirsty again. Jesus offers her a well of pure water; water that would satisfy her spiritual thirst. All romantic relationships are inherently spiritual. We know that we are not complete in ourselves, and so we reach out for another to complete us. Because we as humans are all fallen, the only true romance that can fully satisfy our hearts is the divine romance.

The second thing Jesus offers is the opportunity to worship the Father. I wonder if she cringed when she heard the word “Father.” It seems crazy to me that in our season of history we seem to shy away from this clear Biblical revelation. Just because so many men are scoundrels and bad fathers doesn’t mean we should not hold out the truth.

Jesus is saying to the woman, “People just like you who have experienced the pain and rejection of unfaithfulness can be healed. You can become a daughter again and this time you will encounter true faithfulness. Trust me. Everyone who worships experiences my faithfulness.”

There is no better place and way to be healed from the effects of unfaithfulness than to give yourself to God in worship. As we worship, our hearts are healed by the faithfulness of God; because that’s who God is. God is a faithful God!

At the very core of worship is a call to faithfulness, because faithfulness is what’s most important to God. How many times in the OT did God send prophets calling . . . “Return to me faithless people!” 7 We tend to wander away from God and his heart.

Prone to wander, Lord I feel it,

Prone to leave the God I love.8

Worship is returning.

There was and is nothing that breaks God’s heart more than faithlessness. Can you imagine what

Jesus was feeling for this woman? The Father had revealed to him that this woman’s life was filled with failed marriages and unfaithful living. So Jesus came to show her the path to faithfulness, a chance to break free from fatherless worship to worshipping the Father in spirit and truth.

And if nothing breaks God’s heart more than faithlessness, we know that nothing brings God greater joy than faithfulness.

God doesn’t want to just hear us sing. God wants to see us live a life of faithfulness. The songs that spring from that kind of life will bring God much joy. If people sing of faithful love with their lips, but have hearts that are far from him, and their lips are kissing unfaithful lovers, the song they sing is no longer pleasing to God.

Biblical worship is full of truth. Truth about who God is coupled with truth about who we are.

These truths are essential for real worship. Sometimes God’s people were clear on declaring the truth of God, his actions and character. But they would never reveal the truth of their lives and struggles in His presence. This leads us in the direction of an artificial or acting faith, where we are always doing “great” and we only sing songs that are happy and full of thanksgiving . . .and we think we are really worshipping. Well sometimes we are really lying! I recently read an interview with one of Hollywood’s rising talents, and He confessed that as actors they basically get paid to lie; to pretend to be someone that they are not. Real worship is saturated with truth!

I love the Psalms and I love King David; he’s one of my biggest heroes! I often say “I want to be like Dave!” For centuries the Psalter, the collection of the 150 Psalms, was the hymnbook of God’s people. I am not advocating that we only sing Psalms from this side of the cross. But the Psalms are still full of truth and comfort for God’s people today. And they contain truth about God and truth about us as humans. God is not afraid of our humanity. As we come to worship, let’s be truthful to who we really are and how we are really doing. Anything else is not real worship.

Listen to Eugene Peterson’s version of Jesus’ words to the woman:

‘But the time is coming – it has in fact come – when what you are called will not matter and where you go to worship will not matter. It’s who you are and the way you live that count before God. . . . Your worship must engage your spirit in the pursuit of truth. That’s the kind of people the Father is out looking for: Those who are simply and honestly themselves before Him in their worship.’9

Jesus is saying, “I am thrilled that you are asking about worship; but you are asking the wrong questions. You have asked about ‘where’ and I am telling you that the most important aspect of worship is ‘who’ – who God is and who you are!”

This woman lived in a world (as do we!) where what you are called – your genealogy and roots, your class, your background, your profession, your age, your sex, your name, matter. They matter a whole lot! Jesus is saying that a time is being ushered in when labels will not matter anymore! The full and final fulfillment of his words will not happen in this life among the kingdoms of men. But it will happen in the kingdom of heaven! And it happens here on patches of earth where God’s rule and reign is invited in.

So Jesus says that “what we are called will not matter.” Therefore, the names that our parents give us and the labels others slap on us are not as important as who we are in the Father’s eyes. I can hardly wait for the day in heaven when we get our new name . . Rev 2:17 He who has an ear, let him hear what the Spirit says to the churches. To him who overcomes, I will give some of the hidden manna. I will also give him a white stone with a new name written on it, known only to him who receives it.

I think of this as the name that is you or me . . . there could never be 2 people with the same name. It will be almost like God breathing out a word and that word will be us, it will be our name. Maybe that’s how God awakens worship in us to start with. He speaks our name, and we respond with worship!

But it’s not just the labels we wear that are throwing us off the real track of worship. It’s our focus on the “where” or place of worship. That means that the denomination or type of church we belong to is not the most important thing (I’m so grateful we are seeing breakthroughs in this as more and more of God’s people are learning to walk together). Nor is the type of building we worship in of ultimate importance. This is a really big one, and to be fair to the people living early in the 1st century, this was a big shift that Jesus was introducing!

Our labels and locations are so important to us. And we will do almost anything to defend and protect them and attack those not like us. The sin of prejudice is probably the most violent sin on the earth.

And so Jesus speaks truth to this woman and to us across the centuries. What counts to God is not our labels, it’s not our outside appearance. It’s our integrity, our honesty that counts to God. God wants us to come before Him just as we are; “simply & honestly themselves” means God is inviting us to come with a genuine naturalness.

You don’t have to change before you come to worship. You change because you have worshipped.

This is in contrast to Ps 78:

‘Psa 78:36 – 37 But then they would flatter him with their mouths, lying to him with their tongues; their hearts were not loyal to him, they were not faithful to his covenant.

When we flatter someone we are just saying what we think they want to hear so that we get something back . . . sounds eerily like some modern worship services doesn’t it? We fill the air with our “happy-clappy” songs about how wonderful God is so that we get blessed with good feelings and prosperity.

This is the essence of religion, doing everything we can to reach God and make ourselves presentable to Him. This is approaching worship with the attitude – what I give is the most important thing. It’s saying what I say is the most important thing. It all hinges on our performance. It’s trying to constantly put our best foot forward. It’s one of the reasons the phrase “let’s put on our Sunday best” has always left a bad taste in my mouth. When it comes to issues like clothing in worship, I believe God is most delighted when we come dressed the way we live; if you wear a suit during the week and that’s the way you live, then please come to worship wearing a suit! But if you live in casual clothes come to worship the way you live, in casual clothes, as long as the clothes you wear in any style are modest enough not to cause men’s eyes to be drawn and distracted.

The time for religion is over! The time for hype is over! It’s time for worship to be saturated with a spirit of humility and honesty. Hype comes from taking our cues from the advertising and image culture all around us. We are supposed to be different than our culture, yet still attractive and accessible.

What I am trying to say . . . because I believe this is what Jesus was trying to say to this woman, is that the Father is not looking for performance. It’s when we believe that everything hinges on our performance that we often resort to hype and flattery. That’s so religious. We should have no time or heart to play that game!

The Father is looking for worshippers, which means He is looking for people. The Father is looking for sons and daughters who will come just as they are, whether weeping with tears or dancing with joy.

It’s time to leave behind our fatherless worship, time to break free from the orphan living and thinking that fills our lives with striving, competition and unfaithfulness. It’s time to worship the Father in spirit and truth.

Come, now is the time to worship.

Songwriting Tips

Document your inspiration when it comes, for it will not come again! I believe that a song starts as a seed; a clear single idea that contains the songvision of the song. It’s the “one thing” of your song. Make sure when the inspiration comes, or when the seed falls into the soil of your life, you plant it! Write it down, record it, and take a mental picture of playing the melody on the piano. Invest in something that makes documenting the idea really simple.

Repetition is good; actually it’s more than good, it’s GREAT! Think of the way I repeat “come” in this song. I keep on sounding that simple clear invitation. If you are working on a song, look for the key word that you can repeat.

Make sure you have a strong melodic hook to build upon. This song starts with a very clear strong melodic hook on the 3rd note of the major scale. It’s a hook that is memorable and easy to sing. (Of course coming up with a fresh hook is always very difficult and is a gift every time it happens!)

Don’t waste time. Come right out of the gate with the key thing you want to say lyrically and a strong melody. It’s amazing to me how many times writers think they have all day to noodle around and have “indistinct” melodies to “build momentum’. You only have momentum if you have something clear right from the start!

It’s OK to be unique, to put your personality stamp on your song. One of my key melodic

distinctives is found in the way the melody is pushed on the last word of line one: “worship.” Both of those notes are pushed (of course I have heard many churches straighten those out which removes personality and energy from the melody to my ears). I love melodies that are pushed. What kind of melodies do you love?

2 At the time of writing this, I have only “heard’ two songs floating through the air; the first one was “Refiner’s fire” in 1989 and “Come now is the time’ in 1997. Most of songwriting for me is a labor of love, not simply downloading songs from heaven, though I do believe that all inspiration is a gift from God and we would have nothing without it!

3 We met at Elliot High School in Putney right beside River Thames within greater London.

4 One worship leader wrote me about the song with this theological quandary, and then after reading my explanation and wrestling with it a bit more, wrote me back and said,

“I introduced your “greatest treasure” song to our church last Sunday, and many people told me afterwards that they liked “that new song.” NO ONE mentioned anything about the lyric I was concerned about. I don’t get it. My band loves it!”

Of course just to prove how diverse we all are, others wrote and said that line was their favorite line in the song.

Over the years, I have come to see that music is very subjective; and when you mix subjective musical tastes with theology, which is also subjective and diverse, it makes for some lively and interesting discussions!

5 Unless you are Gordon Lightfoot writing “The Wreck of the Edmund Fitzgerald”!

6 It’s Eleanor Mumford’s voice you can hear in the swirl at the beginning of the recording

7 Jeremiah 3:14

8 Come thou fount of every blessing

9 The Message – Eugene Peterson John 4:23, 24 Can you hear how some of this paraphrase of scripture informed aspects of my song, “Come now is the time to worship”?

I knew when I saw this book I had to read it.  The issue of friends had become a big one in my life and I was at a loss for what to do….I knew what I needed to do but…

So I picked up The Friends We Keep and pretty much devoured the book in less than 48 hours.  Sarah Davis’ writing style is easy to read and easy to understand.  She uses short stories in her chapters to drive her points home and discusses some of the big but unspoken issues in friendships.  She also encourages you in your friendships.  One of my favorite chapters of the book is called Soul Friends because the words she wrote in that chapter spoke directly to my heart.

I found myself very encouraged after reading The Friends We Keep.  It helped my perspective but it also challenged me to be a better friend….to be caring and kind…and not to be jealous or to gossip.

I also love that at the end of the book there is a discussion guide!  I love the idea of getting together with your closest girlfriends and having a book club with this book!  What a great and encouraging time it would be :)

If you are looking for a fabulous read about friends and friendship I would highly recommend The Friends We Keep.

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9780307446114During a particularly painful time in her life, Sarah Zacharias Davis learned how delightful–and wounding–women can be in friendship. She saw how some friendships end badly, others die slow deaths, and how a chance acquaintance can become that enduring friend you need.

The Friends We Keep is Sarah’s thoughtful account of her own story and the stories of other women about navigating friendship. Her revealing discoveries tackle the questions every woman asks:

• Why do we long so for women friends?
• Do we need friends like we need air or food or water?
• What causes cattiness, competition, and co-dependency in too many friendships?
• Why do some friendships last forever and others only a season?
• How do I foster friendship?
• When is it time to let a friend go, and how do I do so?

With heartfelt, intelligent writing, Sarah explores these questions and more with personal stories, cultural references and history, faith, and grace. In the process, she delivers wisdom for navigating the challenges, mysteries, and delights of friendship: why we need friendships with other women, what it means to be safe in relationship, and how to embrace what a friend has to offer, whether meager or generous.

Buy The Friends We Keep.

**this review is a part of the WaterBrook Multnomah Blogging For Book program

**I recieved the 40 minute Bible study about The Essentials of Effective Prayer for review….I love the layout and content of this study!   It looks like an amazing group study from the wonderful Kay Arthur!

9780307457707The 40 Minute Bible Study series from beloved Bible teacher Kay Arthur and the teaching staff of Precept Ministries tackles important issues in brief, easy-to-grasp lessons you can use personally or for small-group discussion. Each book in the series includes six 40-minute studies designed to draw you into God’s Word through basic inductive Bible study. There are 16 titles in the series, with topics ranging from fasting and forgiveness to prayer and worship. With no homework required, everyone in the group can work through the lesson together at the same time. Let these respected Bible teachers lead you in a study that will transform your thinking—and your life.

Titles Include:

•The Essentials of Effective Prayer •Being a Disciple: Counting the Cost

•Building a Marriage That Really Works •Discovering What the Future Holds

•Forgiveness: Breaking the Power of the Past •Having a Real Relationship with God

•How Do You Walk the Walk and Talk the Talk? •Living a Life of Real Worship

•How to Make Choices You Won’t Regret •Living Victoriously in Difficult Times

•Money & Possessions: The Quest for Contentment •Rising to the Call of Leadership

•How Do You Know God’s Your Father? •Key Principles of Biblical Fasting

•A Man’s Strategy for Conquering Temptation •What Does the Bible Say About Sex?

**this review is a part of the WaterBrook Multnomah Blogging For Book program

The reason I picked up this book in the first place was the title. At this point in my life it feels like I am riding a tilt-a-whirl so the title piqued my interest immediately!

I was fascinated with this book from the preface. N.D. Wilson clearly states “this book does not go straight.” And then I saw the chapter titles and laughed out loud as one is named for the small town I live in….this book was a definite go for me!

The author was correct in that this book does not go straight….but in the end it spoke to me in so many ways…as life does not go straight! To me this book was a lot like poetry. Some people love it and some people are going to hate it. For some poetry is deep and meaningful…for others it is just a bunch of words.

Personally I enjoyed the book tremendously. N.D. Wilson’s writing style is unique and quite descriptive. I love that he asked questions and ponders on things. And to be honest he does not answer many of those questions…as they are not meant to be answered here.

The tagline of this book is simply Wide-Eyed Wonder in God’s Spoken World. I cannot think of a better description of this book….it is creative and unique and a fresh outlook. It is written in a way that reminds me of an artist. To me it makes perfect sense as our God is a most wonderful Artist and this was a fun way to explore the beauty that is.

Notes from a Tilt-a-Whirl is a funny and yet thoughtful book….that goes around and around but I for one really enjoyed the ride!

For more information about the book:









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**This review is a part of the Thomas Nelson Book Review Bloggers program

When I was offered the chance to particpate in the blog tour for Religion Saves: And 9 Other Misconceptions I jumped at the chance. This topic is near to my heart. Somewhere along the way it seems we have lost the idea that it is Jesus that is the most important not religion. This book deals with some of the mose controversial misconceptions such as birth control, humor, grace, and sexual sin. (Just to name a few)
I enjoyed Mark Driscoll’s writing style tremendously. I listened to one of his sermons to see if he was as personable a speaker as he was a writer….and he definitely is! I appreciated how the topics were presented, Mr Driscoll builds a strong biblical foundation for each misconception and presents it in a clear consise manner with facts and figures too. These are topics I feel need to be addressed in the Church more often and this is a great resource to start the conversation. One of the best things about this book to me is that Mark Driscoll treats each side of the misconception with respect. Religion Saves broadened my perspective and made me think of my own misconceptions. A must read for all of those out there struggling with some of todays most challenging misconceptions.

About the Book:
Religion SavesAfter 343,203 online votes on the Mars Hill Church website, nine questions for Pastor Mark Driscoll emerged as the ones most urgently calling for answers.

Inspired by 1 Corinthians, in which Paul answers a series of questions posed by the people in the Corinthian church, Pastor Mark Driscoll set out to determine the most controversial questions among visitors to the Mars Hill Church website. In the end, 893 questions were asked and 343,203 votes were cast. The top nine questions are now each answered in a chapter of Religion Saves.

After an introductory chapter devoted to the misconception that religion is what saves us, Driscoll tackles nine issues: birth control, humor, predestination, grace, sexual sin, faith and works, dating, the emerging church, and the regulative principle. Because the purpose of this book is to address commonly asked questions, all readers will find relevant, engaging material, written in Driscoll’s distinctively edgy, yet theologically sound style.

About the Author:
mark Mark Driscoll is the founding pastor of Mars Hill Church in Seattle, one of the fastest-growing churches in America. He is president of the Acts 29 Church Planting Network and is the author of several books, including Vintage Jesus.

Pastor Mark preaches on Sunday, trains pastors, and writes curriculum. Mark is married to his high school sweetheart, Grace, and they enjoy raising their three sons and two daughters.

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You can read an excerpt HERE.

You can buy the book HERE.

And you can read what others bloggers thought of the book HERE.

I love Camy Tang’s books! She is a wonderful writer and Deadly Intent is no exception. I really enjoyed the premise of this book….I thought it was quite different and that is always fun in my book! It is a quick and easy read that all will enjoy :)

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old…or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!

Today’s Wild Card author is:

and the book:

Deadly Intent

Steeple Hill (July 14, 2009)

ABOUT THE AUTHOR:

Camy Tang writes romance with a kick of wasabi. Originally from
Hawaii, she worked as a biologist for 9 years, but now she writes full time. She is a staff worker for her San Jose church youth group and leads a worship team for Sunday service. She also runs the Story Sensei fiction critique service, which specializes in book doctoring.

On her blog, she gives away Christian novels, and she ponders
frivolous things like dumb dogs (namely, hers), coffee-geek husbands (no resemblance to her own…), the writing journey, Asiana, and anything else that comes to mind.

Visit the author’s website.

Product Details:

List Price: $5.50
Mass Market Paperback: 224 pages
Publisher: Steeple Hill (July 14, 2009)
Language: English
ISBN-10: 0373443471
ISBN-13: 978-0373443475

AND NOW…THE FIRST CHAPTER:

Chapter One

The man who walked into Naomi’s father’s day spa was striking enough to start a female riot.

Dark eyes swept the room, which happened to be filled with the Sonoma spa’s staff at that moment. She felt his gaze glance over her like a tingling breeze. Naomi recognized him instantly. Dr. Devon Knightley.

For a wild moment, she thought, He’s come to see me. And her heart twirled in a riotous dance.

But only for a moment. Sure, they’d talked amiably— actually, more than amiably—at the last Zoe International fund-raising dinner, but after an entire evening sitting next to her, he hadn’t asked for her phone number, hadn’t asked for any contact information at all. Wasn’t that a clear sign he wasn’t interested?

She quashed the memory and stepped forward in her official capacity as the spa owner’s daughter and acting manager. “Dr. Knightley. Welcome.”

He clasped her hand with one tanned so brown that it seemed to bring the heat of the July sun into the airy, air-conditioned entranceway. “Miss Naomi Grant.” His voice had more than a shot of surprise, as did his looks as he took in her pale blue linen top and capris, the same uniform as the gaggle of spa staff members gathered behind her. “It’s been a few months since I’ve seen you.”

He still held her hand. She loved the feel of his palm— cool and warm at the same time, strong the way a surgeon’s should be.

No, she had to stop this. Devon and his family were hard-core atheists, and nothing good would come out of giving in to her attraction. “What brings you here?”

“I need to speak to Jessica Ortiz.”

An involuntary spasm seized her throat. Of course. Glamorous client Jessica Ortiz or plain massage therapist Naomi Grant—no comparison, really.

But something in his tone didn’t quite have the velvety sheen of a lover. He sounded almost… dangerous. And danger didn’t belong in the spa. Their first priority was to protect the privacy of the guests.

“Er… Ms. Ortiz?” Naomi glanced at Sarah, one of the receptionists, whose brow wrinkled as she studied her computer monitor behind the receptionists’ desk. Naomi knew she was stalling—she didn’t need to look because she’d checked Ms. Ortiz into the elite Tamarind Lounge almost two hours before.

Naomi’s aunt Becca also stood at the receptionists’ desk, stepping aside from her spa hostess duties to allow Naomi to handle Dr. Knightley, but Aunt Becca’s eyes had a sharp look that conveyed her message clearly to Naomi: the clients’ privacy and wishes come first.

Naomi cleared her throat. “Are you her physician?”

Dr. Knightley frowned down at her, but she kept her air of calm friendliness. He grimaced and looked away. “Er… no.”

Naomi blinked. He could have lied, but he hadn’t. “If you’ll wait here, I can see if Ms. Ortiz is available to come out here to see you.” If Jessica declined to come out, Naomi didn’t want to think what Devon’s reaction would be.

His eyes grew stormier. “Couldn’t you just let me walk in back to see her?”

“I’m sorry, but we can’t allow nonfamily members into the back rooms. And men are not allowed in the women’s lounges.” Especially the secluded Tamarind Lounge, reserved only for Tamarind members who paid the exorbitant membership fee.

“Naomi, surely you can make an exception for me?” He suddenly flashed a smile more blinding than her receptionist’s new engagement ring.

His switching tactics—from threatening to charming— annoyed her more than his argumentative attitude. She crossed her arms. “I’m afraid not.” She had to glance away to harden herself against the power of that smile.

“You don’t understand. It’s important that I see her, and it won’t take long.” He leaned closer, using his height to intimidate.

He had picked the wrong woman to irritate. Maybe her frustrated attraction made her exceptionally determined to thwart him. Her jaw clenched and she couldn’t help narrowing her eyes. “Joy Luck Life Spa has many high-profile clients. If we let anyone into our elite lounges, we’d lose our sterling reputation for privacy and discretion.”

“You don’t understand how important this is—”

“Dr. Knightley, so nice to see you again.” Aunt Becca stepped forward and inserted herself between the good doctor and Naomi’s line of vision. She held out a thin hand, which Devon automatically took. “Why don’t I set you up in the Chervil Lounge while Naomi looks for Ms. Ortiz?”

Aunt Becca whirled around faster than a tornado. Her eyes promised trouble if Naomi didn’t comply. “Naomi.”

Aunt Becca’s taking charge of the conversation seemed to drive home the point that although Dad had left Naomi in charge of the spa while he recovered from his stroke, she still had a long way to go toward learning good customer relations. Part of her wanted to be belligerent toward Devon just to prove she was in the right, but the other part of her wilted at her failure as a good manager.

She walked into the back rooms and paused outside the door to the Tamarind Lounge, consciously relaxing her face. Deep breath in. Gently open the door.

Softly pitched conversation drifted into silence. Two pairs of eyes flickered over her from the crimson silk chaise lounges in the far corner of the luxuriant room, but neither of them belonged to Jessica Ortiz. Vanilla spice wafted around her as she headed toward the two women, trying to glide calmly, as the daughter of the spa owner should.

“Good morning, ladies. I apologize for the intrusion.”

“Is it already time for my facial?” The elderly woman gathered her Egyptian cotton robe around her and prepared to stand.

“No, not yet, Ms. Cormorand. I’ve come to ask if either of you have seen Ms. Ortiz.”

An inscrutable look passed between them. What had Jessica done to offend these clients in only the couple of hours she’d been at the spa? Jessica seemed to be causing the spa more and more trouble recently.

The other woman finally answered, “No, she left about a half hour ago for her massage. I thought she was with you.”

Naomi cleared her throat to hide her start. Jessica’s appointment was at eleven, in fifteen minutes, not now.

“Yes, doesn’t she always ask for you when she comes?” Ms. Cormorand blinked faded blue eyes at her.

Naomi shoved aside a brief frisson of unease. Jessica should be easy to find. “Which massage therapist called for her?”

“Oh, I don’t know.” Ms. Cormorand waved a pudgy hand beringed with rubies and diamonds. “Someone in a blue uniform.”

Only one of almost a hundred staff workers at the spa.

“Thank you, ladies. Ms. Cormorand, Haley will call you for your facial in fifteen minutes.” Naomi inclined her head and left the room, trying to let the sounds of running water from the fountain in the corner calm her growing sense of unease.

Where could Jessica have gone? And an even juicier question: Why did Devon Knightley need to speak to her?

She peeked into the larger Rosemary lounge, which was for the use of spa clients who were not Tamarind members. Several women chatted in small groups, but no Jessica Ortiz. Naomi hadn’t really expected Jessica to forgo the more comfortable elite lounge, but the only other option was checking each of the treatment rooms individually.

She headed into the back area where the therapy rooms were located, navigating the hallway scattered with teak and bamboo furniture, each sporting East Asian cushions and throws, artfully arranged by Aunt Becca. Had Jessica switched to a different massage therapist? And had someone forgotten to tell Naomi in the excitement of Sarah’s new engagement?

As she moved down the hallway, she started noticing a strange, harsh scent suffusing the mingled smells of san-dalwood and vanilla. Not quite as harsh as chemicals, but not a familiar aromatherapy fragrance, a slightly discordant counterpoint to the spa’s relaxing perfume.

She knew that smell, but couldn’t place it. And it didn’t conjure up pleasant associations. She started to hurry.

She first looked into the women’s restroom, her steps echoing against the Italian tile. No sound of running water, but she peeked into the shower area. A few women were in the rooms with the claw-foot bathtubs, and a couple more in the whirlpool room, but no Jessica. No one using the toilets.

The mirrored makeup area had a handful of women, but again no Jessica. Naomi smiled at the clients to hide her disappointment and growing anxiety as she entered. She noticed some towels on the floor, a vase of orchids a little askew, and some lotions out of place on the marble counter running the length of the room, so she tidied up as if she had intended to do so, although the staff assigned to restroom duty typically kept things spic and span.

She peeked into the sauna. A rather loud ring of laughing women, but no Jessica.

Back out in the central fountain area, the harsh smell seemed stronger, but she couldn’t pinpoint where it came from. Had a sewage pipe burst? No, it wasn’t that sort of smell. It didn’t smell rotten, just… had an edge to it.

She entered the locker area, although the Joy Luck Life Spa “lockers” were all carved teakwood cabinets, individually locked with keys. The smell jumped tenfold. Naomi scoured the room. Maybe it came from a client’s locker? No. Maybe the dirty laundry hamper?

Bingo.

She flipped open the basketweave lid.

And screamed.

***

Chapter Two

The scream pierced Devon’s eardrums. Beside him, Becca Itoh started. The heavy wooden double doors she’d just opened, leading to the men’s lounge, clunked closed again as she turned and headed back down the corridor they’d walked.

“Where—?” He kept up with her, but not easily—for a woman in her fifties, she could book it.

“The women’s lounge area.” She pointed ahead as she hustled closer. “Those mahogany double doors at the end.”

Devon sprinted ahead and yanked open the doors. “Stay behind me.”

Becca ignored him, thrusting ahead and shouting, “Naomi!” as they entered a large circular entry area with more corridors leading from it. “Naomi!”

A door to their right burst open and Naomi Grant spilled into the entry room. “Aunt Becca!” Her face was the same shade as the cream-colored walls. “There’s blood in the women’s locker room.”

“Blood?” Becca reached for her as Devon pushed past her into the room she’d just exited.

Despite the urgency, he couldn’t help but be awed by the fountain in the center of a vast chamber with a veined-tile floor. Scrollwork signs on the walls pointed to “sauna” and “whirlpool” and “locker room.” Luckily, no women appeared. He veered right.

He almost wasn’t sure he’d actually arrived in the right place, but the carpeted room lined with teakwood locking cabinets was in line with the luxurious entry hall of what he realized was the women’s bathroom.

The metallic smell of blood reached him. He followed his nose to the basket hamper in the corner, filled with bloody towels. It reminded him of the discarded gauzes from his orthopedic surgeries, bright red and a lot more than the average person saw.

This was not good.

He returned to the two women. Naomi’s hands were visibly shaking, although her voice remained low and calm. “And I couldn’t find Ms. Ortiz.”

Jessica’s name still caused the reflexive crunching of his jaw. But he’d never wanted any harm to come to her—she wasn’t a bad person, they had just clashed too much on personal matters. And now she was missing, and there was an immense amount of blood in the bathroom. Devon’s heart beat in a light staccato against his throat. She had to be okay.

“Where else have you looked?” He scanned the other corridors leading from the fountain entryway. He’d need guidance or he’d get lost in this labyrinth.

“I haven’t checked the therapy rooms yet.” Naomi nodded toward the larger central corridor, which ended at another set of double doors.

He headed toward them when Becca reached out to grab his arm in a bony but strong grip. “You can’t just barge into private sessions.”

“Why not?” He turned to face the two women. “There’s blood in your bathroom and Jessica Ortiz is missing.”

Naomi’s light brown eyes skewered him. “Do you really think it’s wise to cause a panic?”

“And I suppose you have another option?”

“Sessions don’t last more than an hour or ninety minutes. We’ll wait for those to finish—if Jessica’s just in one of those, there’s nothing to worry about. In the meantime, we’ll check all the empty session rooms,” Naomi said.

Becca turned to leave and said over her shoulder, “I’ll check on the schedule at the receptionists’ desk to find out which rooms have clients and when the sessions end. I’ll call you on your cell.”

Naomi turned down a corridor in the opposite direction, this one lined with bamboo tables draped with shimmery, lavender-colored fabric so light that it swayed as they moved past.

It reminded Devon of the papery silks he’d seen in Thailand, giving the spa a soothing and very Asian atmosphere. His heartbeat slowed. Jessica was probably fine and had accidentally taken someone else’s session in her artless, friendly way. She’d emerge from a facial or a manicure in a few minutes and wonder what all the fuss was about.

A group of three therapists turned a corner. They spied Naomi and immediately stopped chatting amongst themselves, although not fearfully—more out of respect that the boss was suddenly in front of them.

“Girls, have you seen Ms. Ortiz?” Naomi’s smile seemed perfectly natural and warm—inviting a rapport with her staff, yet not too cozy. If Devon hadn’t noticed her fingers plucking at the linen fabric of her pants, he wouldn’t have known how anxious she was.

Two of them shook their heads, but the tall blond woman to his left nodded and pointed directly across the corridor. “I saw her talking to Ms. Fischer about an hour ago before Ms. Fischer went in for her manicure.”

His heartbeat picked up. “An hour ago?”

The blonde eyed him with a hard look, but a quick glance at Naomi seemed to allay her suspicions. He had the impression that if her boss hadn’t been by his side, he’d have been thrown out, even if it took all three women to do it.

Naomi was shaking her head. “Ms. Cormorand saw her leave the Tamarind lounge only thirty minutes ago.”

His hopes popped and fizzled.

The blonde jerked her head at the nearby door. “Ms. Fischer is almost done in room thirty-five if you want to talk to her anyway.”

“That’s a good idea. Thanks, Betsy.”

Betsy nodded, and the silent trio headed down the corridor and around the corner.

Copyright © 2009 by Camy Tang

Permission to reproduce text granted by Harlequin Books S.A.

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